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In that split second moment, he chooses to save Desmond’s life and sacrifice his own, fulfilling the flashes but in a way he hadn’t prepared for. , Kate is upset about Sawyer not wanting her to come back to the beach with him to rescue Sayid, Jin and Bernard. Jin speaks with Sun, intimately telling her to stay close to Jack. ♪, Still on their way to the radio tower ♪, Jack tells Kate that Sawyer didn't mean what he said, it was just to protect her; and that he (Jack) did the same thing when he told Kate not to come back to Hydra Island. Noel: Along the same lines, while I don’t really have any major complaints about “Through The Looking Glass,” two elements do still give me pause. Jack calls the freighter, apparently saving everyone.  Finding his legs paralyzed again, Locke is about to commit suicide, when he is stopped by what appears to be Walt Lloyd (Malcolm David Kelley). She starts to tell him the code numbers, but her life is ebbing, so she tells Charlie the code will play The Beach Boys' "Good Vibrations" when entered on the numeric keypad because it was "programmed by a musician." Your points about the bifurcation raise a distinction I raised in thinking about narrative recently: if The Island was a narrative backdrop in the first three seasons, it was a narrative engine in the last three, and that does—as you note—fuel the disappointment many fans experienced. All of our TV reviews in one convenient place. Throughout the season, Charlie never knows how he is going to die, so he must be saved by Desmond, since he can do nothing to prevent it. Jack is wracked with doubt but refuses to back down. This isn't immediately apparent, but revealed in a twist ending.  This enhanced edition was viewed by almost 9 million Americans. as a plane takes off from the airport overhead.  The two-hour Wednesday broadcast on ABC made Lost the fourth most watched series of the week with an average of 13.86 million American viewers, below the third season average of 14.6 million. Mikhail asks how he can be sure Ben hasn't ordered Bonnie and Greta to kill him; Ben answers, "If I had, you would be dead already." ♪ When Charlie gives a flippant answer, Bonnie decides to fetch a spear-gun (to torture Charlie) and strides toward the locker where Desmond has hidden. 84:05 With Naveen Andrews, Henry Ian Cusick, Emilie de Ravin, Michael Emerson. 22 It was written by co-creator/executive producer Damon Lindelof and executive producer Carlton Cuse, and directed by executive producer Jack Bender. Gainey) surrenders but Sawyer shoots him anyway. They get their wish. Smoke. Charlie Pace warns Desmond Hume about the freighter. Hamill quizzes Jack on how he got to the crash so fast. Then burning sun.  BuddyTV praised the unpredictability, saying that "no other show can even attempt to do what Lost does. Despite his injury, Mikhail manages to swim out of the station and blasts the window of the jamming room with a grenade, killing himself and flooding the communications room. Writer What song is Jack listening to while he is driving to the funeral parlor? '" The San Jose Mercury News called the finale a "jaw-dropping exercise in good storytelling. I’ll be honest. Intercut with this story are off-island scenes spotlighting Jack, who has become suicidally depressed and addicted to painkillers. Because everything about that last scene in “Through The Looking Glass” is perfect, right down to the plaintive Giacchino piano-stings and the ominous shot of an airplane flying over Jack’s head after he shouts, “WE HAVE TO GO BAAAACK!”. s03e22 - Through The Looking Glass (1) s03e23 - Through The Looking Glass (2) Lost Show Summary. But then suddenly Jack is sitting on a floor surrounded by maps and Oceanic tickets, which we know can’t be happening right before his flight on 815 because we’ve seen that Jack before, and that Jack didn’t look like he’d been cast as a hobo in an elementary school play. Jack lays a hand on the casket, appearing deeply saddened. After saving the driver and her child, Jack is called a 'hero' by several people. The mis-en scene is reminiscent of a flashback of Locke calling Helen. As he drowns, Charlie makes the sign of the Cross. I feel much the same way about how easy it is for people to twist and snap necks in movies and on TV. It is also the 71st and 72nd episodes overall. The seasons after “Through The Looking Glass” are experimental, testing at each stage how deep the audience will follow these characters and this world. Jack's automobile license plate is 2SAQ321, the same as Catherine Keener's character (Trish) in. She says she saw him on the news and Jack explains: "Old habits." ("Exodus, Part 2") Hurley says it was over and Tom had surrendered but Sawyer responds, "I didn’t believe him." It was originally broadcast on May 23, 2007. Charlie and Desmond try to carry out the plan to knock out the transmission-blocking signal in the Looking Glass station. In a way, this all feeds into a larger theme of the show, asking whether these people we’ve been following for three years (and will follow for three more) are really “good” deep down, or if they’re irreparably broken. She asks him if he's drunk, which he denies.  Unlike most episodes, this episode did not feature a "previously on Lostâ¦" recap at the start of the episode when it first aired; however, it was originally preceded by a clip-show titled "Lost: The Answers", which recapped the third season. I distinctly remember watching the episode in my parents’ family room, home from college for the summer. After beating up Ben, and after Rousseau asks Alex to help her tie up Ben, Jack walks up toward the mountain-top with a machete tucked into his backpack. Hugo "Hurley" Reyes (Jorge Garcia), who was not allowed to accompany Sawyer and Juliet because of his weight, drives the van he found onto the beach, and the captives gain the upper hand, killing the remaining Others with the help of Sawyer and Juliet. The name of the funeral parlor Jack goes to, "Hoffs/Drawlar," is an anagram for "flash forward". And, yes, it features Charlie saving Desmond’s life and warning him of Naomi’s duplicity, sacrificing himself mere moments after believing he wasn’t going to die after all. We have to go back!" The first hour started a bit slow but the second hour had great twists, wonderfully emotional moments, both happy and sad", and the Associated Press said that "the powerful season-ending episode redeemed the series with the shrewdness and intrigue that made it so addictive in the first place. There are numerous here, each of them as compelling as the one before, moving between fast and slow, thrilling and ominous, working to embody every bit of the journey they soundtrack. He checks the revolver for bullets, cocks its hammer and puts the barrel to his head. When he comes out of the medicine room, he is quite intoxicated, possibly drunk. But slowly but surely, as you identify, it pulls you back in by raising questions. Sun cries and they kiss, Juliet watches further away. A detailed synopsis of this episode, including the climactic ", A "Lost: On Location" featurette for this episode is available on the, When the Losties leave the beach to head for the. Looking back, I think I was just pining for a version of Lost that was one long “Through The Looking Glass.”.  A Lost season finale is approximately twice as long the average Lost episode.  Jack tells Kate about the memorial service but Kate, acting distant toward him, coldly retorts that she would not have gone had she known. I was lost (yes, dear reader, pun intended) 50% of the time as the hosts spoke in language they’d use when speaking to each other, not when speaking to someone who is not a critic or TV insider. Post-production wrapped on May 21, 2007, only two days before it aired on television. We have created a browser extension.  The Sydney Morning Herald wrote that Lost "may have unjumped [the shark] with [the] flashforward. Sawyer and Juliet decides to return to the beach camp to help out Sayid, Bernard, and Jin after they are captured, and Hurley tags along to help. Looking for something to watch? Just as he is leaning forward to jump, a fiery car crash occurs behind him. "Lost" Through the Looking Glass (TV Episode 2007) cast and crew credits, including actors, actresses, directors, writers and more. In the flash-forward, we see Jack sitting on the floor of a messy room, in a bad state, talking to Kate on the phone. He rushes to assist the victims. The scene at the funeral home is a reminder that in the present day, Jack’s still waiting to bury his father, who could be in that casket… except that in his intoxicated haze, Jack keeps referring to Christian Shepherd as alive. ♪ Hurley chases Sawyer and Juliet, desperate to help his friends; but Sawyer dismisses him, saying that Hurley will get in the way and get people killed. But like I said, that’s just one level of “Through The Looking Glass.” We still need to talk about another of Lost’s most-remembered scenes (“Not Penny’s Boat”) and about the string of surprise appearances and rescues, from Hurley to Locke to Waaaaaaalt! "No. |  The leak prompted Lindelof and Cuse to enter "radio silence", which was temporarily broken at Comic-Con International 2007.  The Chicago Tribune called it "a qualified success" with excellent pacing and action, however, the flashforward scenes were thought to be uninteresting and "clumsy". , In the U.S., the episode brought in the best ratings for Lost in fifteen episodes. It features Hurley driving out of the jungle in the Dharma van, saving his friends and proving them wrong in the same measure. Jack refuses to surrender the satellite phone. The episode received a 5.9/15 in the key adults 18â49 demographic. Through the Looking Glass transcript. C. Gainey as TomTania Raymonde as AlexBlake Bashoff as KarlAndrew Divoff as Mikhail BakuninMira Furlan as Danielle RousseauBrian Goodman as Ryan PryceMarsha Thomason as Naomi DorritL. She tells him that he looks terrible and asks why he called her, he pulls out the newspaper clipping and says he had hoped to see her at the funeral. The episode begins its narrative in late December 2004, over ninety days after the crash of Oceanic Airlines Flight 815. (voice) (uncredited), director of photography (as John Bartley), unit production manager (as Pat Churchill), post-production supervisor (as Amanda Lencioni), production supervisor (as James Williams), second assistant director: second unit (uncredited), second second assistant director: second unit (uncredited), set decorations shopper/buyer (uncredited), production sound mixer (as Robert Anderson), supervising sound editor (as Thomas E. DeGorter), sound designer (uncredited) / sound effects editor (uncredited), special effects supervisor (as Archie K. Ahuna), stunt rigger (uncredited) / stunts (uncredited), lighting technician (as Robert 'Boceno' Campbell), chief lighting technician (as Ted Tunney), post-production assistant (Season 3 and 4) (uncredited), production staff (as Lizabeth Maggini-Mackay). At this pronouncement, a grin appears on Locke's face. Can Charlie switch off the signal-jammer? [NM], Similarly, we could single out a few people for performance work here, but this seems like a good opportunity to single out Matthew Fox, who has to carry the flash-forward and unknowingly present the audience with a different Jack than they’ve seen before without entirely tipping his hand. In the final shot, a plane flies over his head. I confess I haven’t watched it since it aired (aside from the repeat viewings I did during the season), but whenever I read the episode descriptions or look back at my old reviews, I think about how many wonderful moments it contains, even if the “flash sideways” concept is ultimately pretty sappy. Mikhail checks that Bonnie and Greta are the only ones who know the jamming code, and that the jamming mechanism will continue to function if the station is flooded. The funeral director steps in and informs Jack that he is the only one to come to the viewing. And yet I found myself drawn to the final season throughout writing these reviews, whether in considering characters’ final fates or connecting the emotional swells in these episodes with the emotional swells of “The End.” While sappy, yes, the awakenings from the flash sideways are such a conscious effort to bring character arcs to a “close” that they can’t help but echo when we see characters’ beginnings or ends in the present timeline.
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